As the new adaptation of Jim Crace’s novel Harvest opens in cinemas, we gather in a bounteous crop of previous films that have captured life on the land and the rolling beauty of the British ...

Released in cinemas on 22 August and on Blu-ray/CD and vinyl on 5 September, the centenary celebration edition of Sergei Eisenstein’s iconic silent film will be launched at BFI Southbank with a Q&A ...

Beginning with one of the all-time great character entrances, Dandridge sashays with brazen confidence through her turn as the sassy protagonist of Otto Preminger’s Deep South romance.

After years of run-ins with the authorities, the Iranian director was forced to direct his most recent film, The Seed of the Sacred Fig, remotely and in secret. But the methods are at odds with the ...

Reflections from the BFI’s new Head of Cyber Security on the vital role of organisational culture in response to rising cyber threats.

Director Rian Johnson’s third instalment of the Netflix Knives Out series is the LFF Opening Night Gala, hosted at the Southbank Centre’s Royal Festival Hall with screenings around the UK.

Brad Pitt stars as Sonny Hayes, a veteran racer and former gambling addict who is lured back to the track for one last Grand Prix season in this high-octane, logo-strewn blockbuster-advert for Formula ...

A reel-by-reel dovetailing of two films, one from Fascist Italy and the other from Soviet Russia, Record of War shows the Italian invasion of Ethiopia from radically opposed viewpoints. From our June ...

“The bleak social tragedy of Thomas Hardy’s fiction as transformed by the perfect cheekbones and icy chic of sixties Brit cinema. Lush and well-played, with cinematographer Nicolas Roeg on top form.” ...

Still barely out of her teens, Loren made no fewer than 10 films in 1954. The most important in terms of the development of her career was De Sica’s episode film The Gold of Naples. It was the ...

One hundred years after his birth, we pick a path through the films of the melancholy maestro of Indian cinema, Guru Dutt.

With The Gleaners and I, Agnès Varda was liberated by her digital camera to produce a more intimate form of documentary essay, marked by a deft political approach and a remarkable lightness of touch.